Dressage

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Whenever I coach a new group of riders at a clinic or in a lesson, I am always surprised at how few people can tell me the five different rein aids and the purpose of each. Therefore, it is always a question I like to throw out to the group. I usually see people looking down and moving their hands around, some vague stares, and the occasional rider being able to describe at least one or two of the five.

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There’s a reason some call it “stressage.” Like ballet, dressage is an art form that balances grace with strength and athleticism, a feat demanding extraordinary mastery of the body. Unlike ballet, in dressage that feat is dependent on cooperation between members of two different species — cue the stress! And when riders are stressed, so are the horses. As a result, riders sometimes turn to dubious methods in an attempt to gain control of their equine partner.

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Sadly, ponies get a lot of bad press. Even so, their reputation as being lazy, stubborn, and difficult to train, plus their seemingly inherent displays of poor behaviour, have less to do with their innate nature and more to do with a lack of training.

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Canada is a massive country, with large distances between equine competitions and a relatively small number of upper-level equestrians. Hence, Canadian riders who want to be competitive at upper levels struggle to find enough higher-level competitions to advance their riding careers. Canada also has winter weather that precludes many riders from training outside for half the year. This can limit advancement and horse fitness. For example, three-day event riders can’t school cross-country jumps or get their gallop training in when fields are drifted with snow, nor can endurance riders do long rides on varied terrain.

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Every Time, Everywhere - Wrong lead! It’s one of the earliest alerts a young rider hears from her coach. One’s heart sinks to hear that same alert from the coach calling over the show ring rail. The novice rider learns the outside leg back and kiss cue to canter but I’ve found that riders are often unsure why they should use this cue. Let’s break it down. We’ll review the phonics of teaching your horse to pick up the correct lead and some hints to help the rider recognize it.

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While it might often be spoken about in artistic, aesthetic, or even philosophical ways, lightness — both of movement and also of communication with horses — is more than an abstract ideal. In many ways, it measures a horse’s current physiological capabilities.

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Who doesn’t love a horse with a laid-back disposition, the unflappable sort, unfazed by snow skidding off the arena roof? The downside of that laid-back horse is that he’s liable to be laid-back about his rider’s aids, too.

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Visiting a Western art museum recently, I was captivated by the Russell and Remington paintings of horses and riders. The harsh realities of cowboy life were portrayed by hard riding and bronco busting. Horses in action — vehicles of transportation and battle — seemed a sharp contrast to horses in our modern Western cultures as companions or partners in sport. Though enchanted by the artistry, I was unsettled by the common denominator in every painting — every rider hauling on the reins; every horse a picture of mouth-gaping tension.

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Define your goals to develop a training plan - While hill training is widely accepted as important for building strength, its actual benefits rely on answering the question: What is the goal for this individual horse?

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The gap between amateur and professional competitors is common in Canadian sports. Weekend skiers have significantly less skills than athletes on Canada’s ski team. Amateur hockey players don’t make Canada’s Olympic team. It’s the same in horse sports. Tiers of riders have developed as equestrian sports have become more technical. Upper-level horse sports are primarily the purview of professional and elite riders while amateurs play at lower levels.

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